Writing Riffs

Keeping up with…Myself

Like most writers, I keep an archive of at least one copy of everything of mine that’s been published. So, in a sudden fit of organization the other day, I realized that I’ve not yet seen the Babybug issue with the reprint of my poetic story “Fall Fun” in it.

I poked around the internet (what did we ever do before it?) and think this is the cover of the issue, October 2009. Lovely cover, lovely magazine.

My own kids loved this magazine as babies/toddlers. For now I will enjoy this virtual edition in hopes I’ll get a real copy soon. And yes, that is a friendly hint to the appropriate powers that be. :>

© Lizann Flatt, www.lizannflatt.com
No part of this blog may be used without written permission from the author.

Is Work for Hire for You?

Are you wanting to work for hire? From my perspective, you should ask yourself these questions:

Can you meet deadlines?
Your deadline is critical, and you may only have a month or so to get the job done. The packager needs you to meet your deadline because they have to put your words together with the visuals in the design. They are likely putting together several titles in a series at once and it all has to come together by the deadline they have with the publisher. You cannot hold up the process.

Do you like doing research?
Nonfiction titles will most definitely involve research. Know your way around a library? Not scared away by academic texts? Can you tell a reliable source from a not-so-reliable one? Excellent!

Are you able to distill a big concept into an age appropriate package?
You need to be aware of expectations in sentence length, the use of contractions or not, and vocabulary. Look at the book Children’s Writer’s Word Book for a solid overview. Also be aware of what concepts kids are taught at different grades so you’ll know which ideas/facts should be known and which are not. Look up your local provincial or state board of education and you’ll probably find the curriculum expectations all laid out.

Can you write quickly and clearly?
There is little room for creative license in this type of writing. Plain and direct language is needed. Example: In my creative writing I might describe a con trail as “jets chalking the sky.” In educational work for hire it’s just a con trail with the definition to follow or written in a glossary.

Are you a team player?
This is the publisher’s and/or the packager’s vision for a final product. You yourself might approach the whole topic in a differenet way, but that’s not what you were hired to do. You have to carry out someone else’s direction. You need to understand that a topic expert, an educational expert, and someone at the publisher as well as your editor at the packaging company are all going to comment on and have input into your work. All these views need to be incorporated into the final text.

If you answer yes to all those questions then give it a try. With a background in a particular science or other disipline, you might start there by looking for publishers who specialize in science or who produce books on history. Try writing some nonfiction for magazines to build up your writing resume. When you’re ready for work for hire book work, SCBWI maintains a list of educational pubilshers and a list of packagers for members. You can also find this type of info in Children’s Writer’s and Illustrator’s Market. Good luck!

© Lizann Flatt, www.lizannflatt.com
No part of this blog may be used without written permission from the author.

Work for Hire for Higher Pay

Anyone who writes seriously knows that it’s very difficult to make enough money at this gig to support yourself let alone a family. Most of us have other jobs or do other writing related things to bring in some income (or have gainfully employed and understanding spouses). 


One of the options available to a writer to earn a little more money is work for hire. I’ve done a lot of that this past year. In fact, I have six books just out or about to come out (I’ll post them here in the next few days but you can also see them on my website now). I sound prolific when I say that. I’m not, really. That’s all part of work for hire. 

What does it mean when I work for hire? In my case,
a packager I met at a conference has approached me to write book(s) that are:

on a specific topic 
for a specific publisher 
with a specific page length and 
an age, vocabulary/concept target 
for a set fee. 
These books are designed to be used in a classroom and are usually part of a series specifically designed to meet a school curriculum requirement. Yes, they’re usually nonfiction books (although there are packagers who produce fiction series).

I go do the job I was hired to do, I get paid, and that’s it. Not many of these types of books make it onto awards lists or get shelved in bookstores. There’s little glory. But they are used in classrooms, they do make it into libraries, and they really help kids with school. 


My background in writing on the job (magazine writing) really helps here. No, work for hire is often not particularly creative, but it does require skill. And I can still pursue my own creative ideas separately as well. It just means I have to work extra hard to carve out the creative time.


© Lizann Flatt, www.lizannflatt.com
No part of this blog may be used without written permission from the author.

My Carpet of Leaves

 
Leaves lie all over the lawn
like a carpet of embers
fallen and fading
discarded, decaying
to feed my mind with
impressions, promises
though cold encroaches
once winter is weathered
warm winds will
bring green
kisses
again
text and photo copyright Lizann Flatt, 2009
For more poetry, visit this week’s Poetry Friday Roundup at Anastasia’s Picture Book of the Day
© Lizann Flatt, www.lizannflatt.com
No part of this blog may be used without written permission from the author.