Spying on my Illustrator

I have to confess that I’ve been peeking at some of Ashley Barron’s illustration works-in-progress for our new nonfiction picture book series which begins this fall with OwlKids. I can do this because Ashley keeps a blog, and sometimes she blogs about her work … and sometimes the work looks a bit familiar.

But I respect the industry norm that I’m not to comment on the art to the illustrator. I wait until my editor sends me the actual roughs if they want my comments. And, seeing as it’s non-fiction, they do let me see the roughs. If I have comments I use the proper channel.

Still, I can’t resist popping by her blog once in awhile. If she’s sharing something I think it’s okay to leave a positive comment, too, occasionally. And it’s not like she’s trying to avoid me since she did like my Facebook Page. These days it’s so easy to look up someone your publisher partners you with for a book project. We all do it, don’t we? Um, well, don’t we?

What do you think? Should I avoid looking? Look but don’t comment? Wait until the whole project is done and then interact? Am I making too much of this (non)issue? It’s okay, you can tell me.

© Lizann Flatt, www.lizannflatt.com
No part of this blog may be used without written permission from the author.

Lichen Art

After a rain the lichen patterns really stand out. They’re quite beautiful, don’t you think?

I’m lichen it, at any rate. (Yes, groan, lame joke, I know.)

© Lizann Flatt, www.lizannflatt.com
No part of this blog may be used without written permission from the author.

Interview Wednesday May 2012

Welcome to May’s Kidlitosphere Interview Wednesday. I’m pleased to be your host. Are you looking for links to terrific interviews about children’s literature? Or maybe you’d like to add your own link to an interview? You’ve come to the right place.

The links to the interviews are just below, and you can add your own link by leaving the information in the comments on this post (click on the “other perspectives link” in this blog post’s footer) so that I can add to this list throughout the day. So let’s get to it.

  • First stop, it’s over to Maeve at Yellow Brick Reads. She’s interviewed Celine Kiernan about her Moorehawke trilogy. This author has just been shortlisted for Children’s Books Ireland’s Book of the Year award for her novel Into the Grey.
  • And here at The Flatt Perspective you might like my own interview with Lena Coakley about how she carves out time for her writing in a busy life. Lena is the author of Witchlanders, just named the 2012 winner of the Americas division SCBWI Crystal Kite Award.
  • Carmela Martino over at Teaching Authors recently posted an interview with author and writing teacher Karen Schreck. In addition to talking about her just-released YA novel, While He Was Away, Karen shares two great exercises—one in how to silence the inner critique and one in generating story ideas. And readers have till May 14 to enter for a chance to win an autographed copy of the book.
  • Over at Inkygirl Debbi Ohi interviews Holly Thompson to find out how she came to be the editor of TOMO: Friendship Through Fiction as well as the author of the YA verse novel Orchids. You can see the book trailers and also enter a giveaway.
  • How about learning more about Erik, the young book review blogger at This Kid Reviews Books, and his new blog feature Creative Kids to showcase the creative works of kids from all over? That’s what you’ll find at By Word of Beth as Beth Stilborn interviews Erik and Josie. 
  • Finally, Jocelyn Shipley interviews Anita Daher over at her website about Anita’s YA and MG novel writing and about Great Plains Publications, where Anita is associate teen editor. 

Leave a Link?
Have you seen an interview about children’s literature within the last month? If it’s a written, audio, or video interview that follows these guidelines:

  • The interview is with someone in the field of children’s/young adult literature, including authors, illustrators, editors, agents, and librarians.
  • Interviews featuring writing tips, illustration tips, cyber tips, etc., as long as the information pertains to children’s/young adult literature.

…then I’d love to add it to the list. Please leave the link to it in the comments. I’ll be checking back here throughout the day and updating the list.

Do you have a blog related to reading, writing, or publishing books for children? Maybe you’d like to host Interview Wednesday. Just visit the official Kidlit Interview Wednesday sign-up page and you can do just that. Next month’s Interview Wednesday will be hosted June 13 by Anastasia Suen at Booktalking.

Thanks to everyone for participating, and thank you for stopping by.

© Lizann Flatt, www.lizannflatt.com
No part of this blog may be used without written permission from the author.

Lena Coakley: Carve Out Space for Your Creative Work

Creating Through the Clamour: Instalment 8

Feel like there’s not enough time in your busy life to be creative? How do authors or illustrators continue to create while tackling everything else in their lives? About once a month as I’ll ask a writer or illustrator how they do it. Because I want to know. (I need all the help I can get in this department.)

The Creator
name: Lena Coakley
resides: Near the distillery district in Toronto
website: www.lenacoakley.com
creates: Right now I’m writing young adult fantasy novels, but I’ve also published two children’s picture books and short stories for both teens and adults.

The Creations

Witchlanders (YA novel), Atheneum/Simon & Schuster
Mrs. Goodhearth and the Gargoyle (picture book), Orca Book Publishers
On the Night of the Comet (picture book), Orca Book Publishers
The Clamour
Doubt: I’m lucky enough to be able to write full time right now, but sometimes I can be my own worst enemy when it comes to procrastination and self doubt.
Volunteer Work: Although I’m no longer the administrative director at CANSCAIP (the Canadian Society of Children’s Authors, Illustrators and Performers), I still keep my hand in by designing the newsletter and organizing the Pitch Perfect critique sessions at their Packaging Your Imagination Conference.
Research: I’m writing my first historical novel right now. I love the research, but I’m not sure I’ve learned when to stop!
Crazy Interruptions: I’ve had a strange start to 2012 with everything from bedbugs to minor surgery to family crises to unexpected houseguests all taking me away from my writing. It’s been a great lesson, though: Life intervenes as it always will, but we still have to carve out that space for our creative work.
Wow, those are some crazy interruptions! How did you get started in this field?
I think I got started in this field the day my mother read me my first picture book. I have loved books ever since I can remember, and I think I started making up stories of my own at a very early age. When I first came to Toronto, the best thing I did was to enroll in Peter Carver’s course in writing for children, a class he taught for over 20 years at Mabel’s Fables bookstore in Toronto. I had always liked the idea of being a writer, but Peter started me on that long (never-ending!) path of honing my skills. It took me over 10 years from the time I enrolled in that course to the time I published my first picture book, but those workshops were where I first began to develop my own distinctive voice.
What are you working on these days?
I’m working on a historical fantasy novel that takes place in 1834 and features the four Brontë siblings, Anne, Charlotte, Branwell and Emily as characters. It’s quite a daunting task! Last weekend I went to tea with the Toronto members of the Brontë Society and I can tell you, there are some huge Brontë fans out there! I feel an enormous sense of pressure to do justice to these extraordinary siblings and to get the details right.
How do you minimize your distractions while you’re working? Any tips for others? 
Decide in advance how you are going to deal with social media and stick to your plan. Some people can have a quick look at Twitter and Facebook before they start to write, but I find that I can get sucked into social media and that it can drain my creative energy. I try not to look at either until lunchtime and then just for a set amount of time. Because I need to do so much research for this book, I’ve also decided to only watch television on the weekends for the next little while.
The important thing is not to let one distraction ruin your whole day. The writing flow sometimes gets interrupted—it happens—but it’s important to learn how to get back into it.
How do you cope with times when you just can’t focus on your writing?
Being a procrastinator of Olympic caliber, I have developed a few tricks:
  • Try an egg timer. Sometimes if I’m really feeling squirmy at my desk, I set an egg timer and tell myself I only have to write for that amount of time before taking a break. Usually I set the timer for an hour, but if I’m really unfocused, I can set it for as little as 15 minutes.
  • Make a date with a writing partner. I’m convinced I never would have finished my first novel, Witchlanders, if I hadn’t been meeting regularly to write with my friend, Aino Anto. Somehow writing regularly helps get over that bottleneck of dread that keeps us away from our desk. At this point in my career, I don’t think I need a writing partner as much as I once did, but I will still make a date to bring my mini to a friend’s house to write if I’m feeling stuck.
  • Write every day, even if it’s for 15 minutes. You’ve probably heard this one before, but I’m a big believer in it. It keeps your work in the forefront of your mind, even when you don’t have much time for it.
  • Try a change of scene. I love to pretend I’m JK Rowling and write in my local café.
What book, song, painting, or maybe movie has touched you or has had great meaning for you recently?
I’m reading David Copperfield right now, a book my grandmother read to me when I was growing up. I hear the intonation of her voice very clearly when I read it, and that’s something that makes it doubly wonderful to read, now that she’s gone. It’s such a funny, sweet, clever, charming, sentimental book—probably one of my all-time favourites. I recommend it to absolutely everyone. 
As a creative person, do you have any other outlets for your talents? a hobby or interest?
I love to swim and I think my swimming and my writing go hand in hand. If I have a swim in the morning I find I come to my desk with half my plot problems already worked out.
Why do you keep creating in the face of all this trouble/effort?
That’s a good question, Lizann! Sometimes I do think my life would have been much easier if I’d become a computer programmer or a paleontologist, but I seem to be committed now!
***
Thanks, Lena. Having read Witchlanders, I’m very glad you’re committed. No escaping now, is there? Thanks so much for spending some of your time here. I’m going to try that timer trick.

Which tip will you try?

© Lizann Flatt, www.lizannflatt.com
No part of this blog may be used without written permission from the author.